Lounging by the pool or hiding from the heat is the perfect time to indulge in a little summer reading. But for those who prefer the small screen to the written word, here are a few literary adaptations that found their way to streaming this month. From engaging mysteries to unhinged sci-fi, this month’s UnBinged reviews big-budget book adaptations looking to nab your interest. Parents, please note that these television series are rated TV-MA and are intended for mature audiences.
‘Lady in the Lake’ (Apple TV+)
Being underestimated, undervalued and underappreciated is discouraging when it comes from strangers, disheartening when it comes from friends, and depressing when it comes from family. And for many women, it is an everyday occurrence. But there is a gift in this thoughtless cruelty that undermines others: it motivates people to transform, as they have nothing to lose.
The story of “Lady in the Lake” follows two vastly different women in 1966 — one a Jewish housewife and another a struggling single Black mother — whose lives are forever entangled due to the tragic murder of the latter. For Maddie Schwartz (Natalie Portman), the disappearance of a young girl sparks something within her to flee her middle-class existence, as well as her nebbish husband and surly teen son, in an effort to reinvent herself. Meanwhile, bartender and model Cleo Johnson (Moses Ingram) falls deeper into the seedy underbelly of Baltimore’s corrupt political scene, placing her life in danger as she attempts to provide for her family. Ultimately, Cleo’s world collides with Maddie’s as the fate of the two women become intertwined.
Both Portman and Ingram are given a chance to embody their characters before the crux of the story takes hold. Portman brings her acting aptitude to the role of Maddie as the Oscar winner epitomizes an Orthodox Jewish housewife who experiences a midlife crisis due to past trauma triggered by a horrific event in her community. And Ingram is equally pivotal, both as the struggling Cleo and as the omnipresent narrator, keeping the twisted tales in tandem even when the story seems uneven.
But “Lady in the Lake” isn’t just about how the case of a little girl galvanized a housewife or why a Black woman was murdered, but about women finding their identity through devastation. The performances and ethereal direction of the series bring the novel to life, captivating the viewer and holding their interest until the final climactic moments.
‘Sunny’ (Apple TV+)
Meet Suzie Sakamoto. Suzie (played by Rashida Jones) is not doing well. She just lost her son Zen and her husband Masa in a horrific plane crash, but their bodies cannot be found. Slightly abrasive even before the incident and all alone in Kyoto where she can barely speak the language, Suzie is isolated in her pain. Taking pity on her situation, her husband’s employer Imatech supplies the grieving woman with Sunny (voiced by Joanna Sotomura), a top-of-the-line robot created by her husband Masa (Hidetoshi Nishijima) specifically for Suzie.
But something is amiss with Sunny. Beneath “her” constant chipper demeanor is a sinister secret, something that eventually leads Suzie to seek out “The Dark Manual,” a hacker’s guide that can allow bot owners to unlock the dark side of their automatons. Along with her new edgy friend Mixxy (Annie the Clumsy), Suzie explores more of this world in hopes of unraveling her roboticist husband’s secrets, but only discovering a dangerous faction who wishes to stay concealed.
Based on the book “The Dark Manual” by Colin O’Sullivan, A24’s daring new comedic thriller for the small screen embodies new fears about AI and gives it a cheery disposition with vaguely threatening undertones, just enough to make audiences side-eye their Alexas and not fully trust their Roombas. The performances from Jones and Ms. Clumsy, particularly their chemistry together and their ability to interact with Sunny, work quite well as a source of comedy, though the antagonists are a little over the top. But the real stars here are the special effects, which are so seamless it is easy to overlook the outstanding work that went into the character creation of Sunny, whose expressions from elation to dismay are a wonder unto themselves.
“Sunny” should garner interest from those who enjoy their dark future tales with a dash of black humor and mystery but grounded in reality. Fans of “Black Mirror” or other malevolent yet mundane sci-fi tales in which shades of the fantastic take a backseat to the horrors of humanity will find “Sunny” a uniquely creative series that will keep viewers enthralled.
‘Those About To Die’ (Peacock)
As extortionate series about dragon-based families and bodice-rippers set during the Regency era continue to draw large audiences, streaming services search for the next hit series among epic productions and costume dramas. Over at Peacock, Roland Emmerich enters the field with “Those About To Die,” a historical drama spotlighting gladiators and gambling halls of an ancient era.
Based on Daniel P. Mannix’s nonfiction novel, “Those About To Die” lifts up ancient rocks overlooked by most Hollywood productions and explores the Flavian Dynasty — the chaotic period that followed right after Nero’s fiddle fell silent — in which Emperor Vespasian (played by Anthony Hopkins) took to the throne.
The story follows several social classes, from patricians such as Vespasian’s two sons, Titus and Domitian (Tom Hughes and Jojo Macari), who both eye the throne, to plebeians like Cala (Sara Martins), a mother who pursues her daughters after they are forcibly taken into slavery. But much of the series’ focus falls on Iwan Rheon who plays Tenax, owner of the largest betting tavern in Rome. The heart and soul of the series, the character is a stark (ahem) contrast to his iconic role as Ramsay Bolton from “Game of Thrones” (or “Misfits’” Simon for longtime fans).
Elaborate sets and costumes paired with a top-tier cast and crew makes “Those About To Die” one of Peacock’s most ambitious projects to date, hoping to pique curiosity with its lavish production, but the drama has to clear more than just the high hurdle of notice among the many streaming offerings. Without the familiarity of Queen Cleopatra, Mark Antony, or other titans of history, a majority of viewers will depend on the storytelling to keep them absorbed, and while most of the tale is captivating, the multiple narratives are stretched a bit thin. So while characters can be compelling, particularly Rheon’s Tenax, there are too many of them in the onset, so some characters feel tacked on and shallow.
“Those About To Die” is an exorbitant historical melodrama hoping to nab the attention of picky at-home audiences. And while the series has done well by focusing on Rheon, the disjointed storytelling, particularly in the beginning, muddles the narrative enough to get the series off to a shaky start. But it is footing that has the ability to find more stable ground if or when it gets a second season.
Published July 31, 2024